[Script Info]
; // 此字幕由PopSub生成  2010-06-29 02:38:13
; // 版本: 0.77
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Title:数码绘的文法17
Original Script:3DH字幕组
Original Translation:mike2718
Original Editing:mike2718
Synch Point:0
ScriptType:v4.00+
Collisions:Normal
PlayResX:640
PlayResY:352
Timer:100.0000

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,方正准圆_GBK,22,&H00FFFFFF,&HF0000000,&H001F1F1F,&HF0000000,-1,0,0,0,100,100,0,0.00,1,1,0,2,30,30,10,134
Style: LOGO,04b_11,50,&H005EBB00,&HF0000000,&H00000000,&HF0000000,0,0,0,0,100,100,-3,0.00,1,1,0,8,30,30,10,137
Style: LOGO1,楷体_GB2312,60,&H0010FEAB,&HF0000000,&H0010FEAB,&HF0000000,-1,0,0,0,100,100,9,0.00,1,2,0,2,30,30,10,134
Style: STAFF,方正宋三简体,20,&H00FFFFFF,&HF0000000,&H000F0F0F,&HF02F2F2F,-1,0,0,0,100,100,0,0.00,1,1,0,2,30,30,10,134
Style: move,微软繁魏碑,15,&H00FFFFFF,&HF0000000,&H00000000,&HF0000000,-1,0,0,0,100,100,0,0.00,1,2,1,2,30,30,10,134
Style: 1,微软雅黑,28,&H00FFFFFF,&HF0000000,&H00000000,&HF0000000,-1,0,0,0,100,100,0,0.00,1,1,0,2,30,30,10,134

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:01.80,0:00:05.63,*Default,NTP,0000,0000,0000,,以"萌"为代表的数码绘图 数码绘
Dialogue: 0,0:00:06.02,0:00:07.98,*Default,NTP,0000,0000,0000,,精通这一技艺的数码绘师们
Dialogue: 0,0:00:08.03,0:00:11.06,*Default,NTP,0000,0000,0000,,如今受到世人非凡的关注与喜爱
Dialogue: 0,0:00:12.40,0:00:15.66,*Default,NTP,0000,0000,0000,,本节目用摄像机拍摄了画师绘图的全过程
Dialogue: 0,0:00:15.77,0:00:17.91,*Default,NTP,0000,0000,0000,,从始至终
Dialogue: 0,0:00:17.99,0:00:21.25,*Default,NTP,0000,0000,0000,,把绘制的全部技巧呈现给大家
Dialogue: 0,0:00:34.39,0:00:37.04,*Default,NTP,0000,0000,0000,,这次登场的数码绘师是
Dialogue: 0,0:00:38.02,0:00:40.14,*Default,NTP,0000,0000,0000,,画师仓藤幸
Dialogue: 0,0:00:42.67,0:00:47.95,*Default,NTP,0000,0000,0000,,她的画以透明的色彩和水彩画般细腻的笔触而闻名
Dialogue: 0,0:00:42.67,0:00:45.91,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}わたしたちの田村くん/我俩的田村同学 出版公司：MediaWorks 2006年
Dialogue: 0,0:00:48.44,0:00:50.64,*Default,NTP,0000,0000,0000,,是现在备受瞩目的画师之一
Dialogue: 0,0:00:53.35,0:00:55.62,*Default,NTP,0000,0000,0000,,在杂志上刊登连载的她
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:00:56.52,0:00:59.12,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}マジキュー   出版商：EnterBrain  2006 フルはれ制作委员会
Dialogue: 0,0:00:55.77,0:00:57.86,*Default,NTP,0000,0000,0000,,不仅作为漫画家
Dialogue: 0,0:00:57.98,0:01:00.54,*Default,NTP,0000,0000,0000,,在插画方面也大显身手
Dialogue: 0,0:01:00.83,0:01:05.47,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}電撃コミック　ガオ！　出版商：MediaWorks
Dialogue: 0,0:01:01.34,0:01:04.42,*Default,NTP,0000,0000,0000,,细腻而又充满活力的笔触
Dialogue: 0,0:01:05.13,0:01:06.38,*Default,NTP,0000,0000,0000,,
Dialogue: 0,0:01:04.56,0:01:08.14,*Default,NTP,0000,0000,0000,,即使是在漫画的黑白世界中 也发挥着令人着迷的力量
Dialogue: 0,0:01:13.52,0:01:17.25,*Default,NTP,0000,0000,0000,,仓藤幸的数码绘
Dialogue: 0,0:00:00.00,0:00:00.00,*Default,NTP,0000,0000,0000,,（解说员：泽木郁也）
Dialogue: 0,0:01:18.71,0:01:23.37,*Default,NTP,0000,0000,0000,,其最大特点是精细处理的柔和光
Dialogue: 0,0:01:24.97,0:01:28.11,*Default,NTP,0000,0000,0000,,有时以阴影来表现
Dialogue: 0,0:01:30.94,0:01:34.52,*Default,NTP,0000,0000,0000,,有时则以颜色的深浅来表现
Dialogue: 0,0:01:37.32,0:01:41.20,*Default,NTP,0000,0000,0000,,此外 仓藤画的特征在于大胆的构图
Dialogue: 0,0:01:41.74,0:01:44.09,*Default,NTP,0000,0000,0000,,不局限于少女漫画和萌的表现手法
Dialogue: 0,0:01:44.17,0:01:47.04,*Default,NTP,0000,0000,0000,,她给我们带来了新的创意
Dialogue: 0,0:01:49.15,0:01:51.70,*Default,NTP,0000,0000,0000,,色彩的魔术师 仓藤幸
Dialogue: 0,0:01:51.76,0:01:53.61,*Default,NTP,0000,0000,0000,,这次的主题是
Dialogue: 0,0:02:05.78,0:02:09.12,*Default,NTP,0000,0000,0000,,画师仓藤幸所画的这部作品
Dialogue: 0,0:00:00.00,0:00:00.00,*Default,NTP,0000,0000,0000,,（图像尺寸：3369*2540px 分辨率：250dpi）
Dialogue: 0,0:02:11.67,0:02:17.34,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}图像尺寸：3369*2540px 分辨率：250dpi
Dialogue: 0,0:02:11.74,0:02:16.91,*Default,NTP,0000,0000,0000,,在荒废的城市中被新绿包围的少女
Dialogue: 0,0:02:20.67,0:02:23.71,*Default,NTP,0000,0000,0000,,透过绿叶缝隙射入的强烈阳光
Dialogue: 0,0:02:23.80,0:02:27.66,*Default,NTP,0000,0000,0000,,更加凸显了少女的透明感
Dialogue: 0,0:02:31.32,0:02:33.41,*Default,NTP,0000,0000,0000,,就像偷偷瞒着父亲
Dialogue: 0,0:02:33.59,0:02:39.32,*Default,NTP,0000,0000,0000,,在森林中寻乐嬉戏的少女的感觉
Dialogue: 0,0:02:40.71,0:02:42.67,*Default,NTP,0000,0000,0000,,晶莹剔透的皮肤
Dialogue: 0,0:02:46.32,0:02:48.07,*Default,NTP,0000,0000,0000,,泛着微波的水面
Dialogue: 0,0:02:51.53,0:02:54.14,*Default,NTP,0000,0000,0000,,以及闪亮的绿
Dialogue: 0,0:03:20.45,0:03:08.25,*Default,NTP,0000,0000,0000,,仓藤这一充满光的作品
Dialogue: 0,0:03:15.09,0:03:19.00,*Default,NTP,0000,0000,0000,,制作的全过程
Dialogue: 0,0:03:23.54,0:03:29.49,*Default,NTP,0000,0000,0000,,草图
Dialogue: 0,0:03:31.60,0:03:34.48,*Default,NTP,0000,0000,0000,,画师仓藤开始绘制了
Dialogue: 0,0:03:32.78,0:03:37.66,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}PILOT　COLOR ENO　自动铅笔　软芯 蓝色 0.7mm
Dialogue: 0,0:03:35.65,0:03:39.14,*Default,NTP,0000,0000,0000,,她用的是蓝色的自动铅笔
Dialogue: 0,0:03:47.55,0:03:50.09,*Default,NTP,0000,0000,0000,,用蓝色自动铅笔在纸上画草图
Dialogue: 0,0:03:50.13,0:03:53.88,*Default,NTP,0000,0000,0000,,之后就能清晰地把黑线画出来
Dialogue: 0,0:03:54.06,0:03:57.49,*Default,NTP,0000,0000,0000,,用蓝色自动铅笔完成大致的构图
Dialogue: 0,0:04:00.79,0:04:05.75,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}Staedtler制图铅笔 0.3mm 硬度B
Dialogue: 0,0:04:00.99,0:04:05.22,*Default,NTP,0000,0000,0000,,之后用黑色的铅笔画出人物细节
Dialogue: 0,0:04:15.82,0:04:19.24,*Default,NTP,0000,0000,0000,,绘制草稿使用的是速写本
Dialogue: 0,0:04:15.19,0:04:19.68,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}maruman速写本 B4纸规格
Dialogue: 0,0:04:19.29,0:04:23.52,*Default,NTP,0000,0000,0000,,透过纸张能够看到草稿线条和头发
Dialogue: 0,0:04:36.07,0:04:39.90,*Default,NTP,0000,0000,0000,,先大致地画出背景的新绿部分
Dialogue: 0,0:04:40.62,0:04:44.92,*Default,NTP,0000,0000,0000,,这部分草稿将会成为不带线条的 闪亮绿色
Dialogue: 0,0:04:49.97,0:04:53.54,*Default,NTP,0000,0000,0000,,用了两个小时完成原稿
Dialogue: 0,0:04:54.28,0:04:58.16,*Default,NTP,0000,0000,0000,,我们看到了独具特色的大胆构图
Dialogue: 0,0:05:01.06,0:05:04.73,*Default,NTP,0000,0000,0000,,细腻且清晰的线条
Dialogue: 0,0:05:04.93,0:05:07.90,*Default,NTP,0000,0000,0000,,但是 考虑到之后要粗略涂抹
Dialogue: 0,0:05:08.09,0:05:11.64,*Default,NTP,0000,0000,0000,,现在只是最低限度地画了一些阴影
Dialogue: 0,0:05:14.30,0:05:16.18,*Default,NTP,0000,0000,0000,,从现在开始
Dialogue: 0,0:05:16.21,0:05:18.00,*Default,NTP,0000,0000,0000,,作业平台转移到了电脑上
Dialogue: 0,0:05:21.62,0:05:23.16,*Default,NTP,0000,0000,0000,,使用的设备是
Dialogue: 0,0:05:23.24,0:05:28.15,*Default,NTP,0000,0000,0000,,中央处理器 Power PC G4  466MHz
Dialogue: 0,0:05:28.22,0:05:30.96,*Default,NTP,0000,0000,0000,,内存 896MB
Dialogue: 0,0:05:32.44,0:05:35.14,*Default,NTP,0000,0000,0000,,显示器 MITSUBISHI 17英寸液晶
Dialogue: 0,0:05:35.21,0:05:38.21,*Default,NTP,0000,0000,0000,,数位板 WACOM INTORS3 ptz-630
Dialogue: 0,0:05:50.43,0:05:54.57,*Default,NTP,0000,0000,0000,,画师仓藤即将展示她的数绘技巧
Dialogue: 0,0:05:56.15,0:05:58.87,*Default,NTP,0000,0000,0000,,首先进行的是抽线
Dialogue: 0,0:05:59.22,0:06:03.95,*Default,NTP,0000,0000,0000,,我们都知道抽线有alpha通道法和图层叠加法
Dialogue: 0,0:06:04.22,0:06:07.04,*Default,NTP,0000,0000,0000,,仓藤却使用滤镜来完成
Dialogue: 0,0:06:07.66,0:06:10.90,*Default,NTP,0000,0000,0000,,她使用的是外挂滤镜中的Transparency>Luminosity->Opacity
Dialogue: 0,0:00:00.00,0:00:00.00,*Default,NTP,0000,0000,0000,,仓藤抽线使用的是滤镜（透明化->亮度->透明度）
Dialogue: 0,0:06:20.15,0:06:24.28,*Default,NTP,0000,0000,0000,,相关滤镜文件包含在Photoshop 7.0的附属CD中
Dialogue: 0,0:06:28.41,0:06:32.14,*Default,NTP,0000,0000,0000,,仓藤使用这一滤镜把线稿抽出为一个单独的图层
Dialogue: 0,0:06:36.04,0:06:39.44,*Default,NTP,0000,0000,0000,,人物的分层
Dialogue: 0,0:06:39.66,0:06:42.98,*Default,NTP,0000,0000,0000,,首先是绘制皮肤颜色的部分
Dialogue: 0,0:06:45.49,0:06:51.03,*Default,NTP,0000,0000,0000,,在线的图层用魔棒工具连续选择皮肤的部分
Dialogue: 0,0:06:51.67,0:06:56.28,*Default,NTP,0000,0000,0000,,尽可能把要上色的部分选取出来
Dialogue: 0,0:07:00.81,0:07:02.37,*Default,NTP,0000,0000,0000,,为了防止某些地方没被选取到
Dialogue: 0,0:07:02.53,0:07:05.81,*Default,NTP,0000,0000,0000,,她在动作调板中设置了“将选择范围增大2px”
Dialogue: 0,0:07:07.88,0:07:09.17,*Default,NTP,0000,0000,0000,,现在我应用了这个动作
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:07:08.77,0:07:13.30,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(150,292)}{\fs18}以当前色填充
Dialogue: 0,0:07:19.08,0:07:23.87,*Default,NTP,0000,0000,0000,,皮肤颜色放在最下方的图层
Dialogue: 0,0:07:23.94,0:07:28.87,*Default,NTP,0000,0000,0000,,头发的图层放在最上方图层
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:07:32.32,0:07:37.67,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}超出范围填涂皮肤色
Dialogue: 0,0:07:31.24,0:07:36.36,*Default,NTP,0000,0000,0000,,特意把皮肤色涂到头发以外的部分
Dialogue: 0,0:07:40.82,0:07:44.72,*Default,NTP,0000,0000,0000,,这样一来就能填涂未被像素遮盖的部分
Dialogue: 0,0:07:51.66,0:07:54.92,*Default,NTP,0000,0000,0000,,用魔棒工具把头发分成几部分
Dialogue: 0,0:07:55.33,0:08:00.30,*Default,NTP,0000,0000,0000,,同时用笔刷完成剩余细节部分的上色
Dialogue: 0,0:08:12.43,0:08:14.94,*Default,NTP,0000,0000,0000,,人物部分的底色涂完了
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:08:12.83,0:08:24.76,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}人物部分分为4个图层
Dialogue: 0,0:08:15.07,0:08:19.76,*Default,NTP,0000,0000,0000,,包括线 皮肤 连衣裙 头发和丝带
Dialogue: 0,0:08:19.86,0:08:22.88,*Default,NTP,0000,0000,0000,,总计分为4个图层
Dialogue: 0,0:08:26.04,0:08:29.33,*Default,NTP,0000,0000,0000,,将人物部分保存在单一文件中
Dialogue: 0,0:08:29.63,0:08:33.42,*Default,NTP,0000,0000,0000,,接下来在另一文件中描绘背景
Dialogue: 0,0:08:41.68,0:08:44.96,*Default,NTP,0000,0000,0000,,她在工作中喜欢喝麦茶
Dialogue: 0,0:08:45.22,0:08:48.61,*Default,NTP,0000,0000,0000,,一升的饮用量能维持一天的集中力
Dialogue: 0,0:08:51.71,0:08:59.97,*Default,NTP,0000,0000,0000,,先粗略地画一下前方的背景
Dialogue: 0,0:09:01.59,0:09:03.85,*Default,NTP,0000,0000,0000,,使用画笔工具
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:09:01.74,0:09:06.36,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(450,320)}{\fs18}画笔工具 75px
Dialogue: 0,0:09:04.18,0:09:07.65,*Default,NTP,0000,0000,0000,,她正在用当前色把背景围起来
Dialogue: 0,0:09:13.75,0:09:15.87,*Default,NTP,0000,0000,0000,,选定背景部分后
Dialogue: 0,0:09:15.87,0:09:18.35,*Default,NTP,0000,0000,0000,,对选区执行"将选区范围扩大2px"
Dialogue: 0,0:09:20.02,0:09:22.62,*Default,NTP,0000,0000,0000,,先进行填充
Dialogue: 0,0:09:24.42,0:09:26.87,*Default,NTP,0000,0000,0000,,用画笔徒手画出的直线
Dialogue: 0,0:09:27.30,0:09:31.12,*Default,NTP,0000,0000,0000,,在描绘混凝土建筑物时是不可缺少的
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:09:37.07,0:10:00.42,*Default,NTP,0000,0000,0000,,{\pos(150,70)}{\fs18}用画笔描画直线的方法
Dialogue: 0,0:09:37.91,0:09:41.93,*Default,NTP,0000,0000,0000,,一般来说 用画笔直接绘制直线是比较困难的
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:09:46.50,0:09:52.79,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(450,320)}{\fs18}Shift+画笔
Dialogue: 0,0:09:46.91,0:09:50.65,*Default,NTP,0000,0000,0000,,但是在按下Shift键的情况下 用画笔绘制
Dialogue: 0,0:09:50.74,0:09:53.78,*Default,NTP,0000,0000,0000,,就能够很容易地画出直线
Dialogue: 0,0:10:00.88,0:10:05.25,*Default,NTP,0000,0000,0000,,用这种方法对钢筋结构进行细节绘制
Dialogue: 0,0:10:25.03,0:10:28.66,*Default,NTP,0000,0000,0000,,就这样 墙壁和钢筋结构就被分为单独图层
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:10:28.91,0:10:33.86,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}将墙壁和钢筋分离为独立图层
Dialogue: 0,0:10:29.95,0:10:33.28,*Default,NTP,0000,0000,0000,,接下来将要施展光的魔法
Dialogue: 0,0:10:35.49,0:10:40.80,*Default,NTP,0000,0000,0000,,画师仓藤作为漫画家活跃之前在一家设计公司任职
Dialogue: 0,0:10:40.97,0:10:44.34,*Default,NTP,0000,0000,0000,,主要负责网站主页的平面设计工作
Dialogue: 0,0:10:46.78,0:10:50.66,*Default,NTP,0000,0000,0000,,也因业余兴趣为同人志等绘制漫画
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:10:46.76,0:10:52.65,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}2005年第三次电击Comic大奖 原创部大奖得主 Green Wizards
Dialogue: 0,0:10:50.74,0:10:53.44,*Default,NTP,0000,0000,0000,,她首次展出作品就获奖
Dialogue: 0,0:11:01.26,0:11:04.35,*Default,NTP,0000,0000,0000,,在设计公司培养出的技能和灵感
Dialogue: 0,0:11:04.49,0:11:08.65,*Default,NTP,0000,0000,0000,,让她把优美的线条和新颖的构图发挥得淋漓尽致
Dialogue: 0,0:11:17.65,0:11:22.25,*Default,NTP,0000,0000,0000,,对她的创作产生重大作用的是她的爱犬Maka
Dialogue: 0,0:11:22.67,0:11:23.80,*Default,NTP,0000,0000,0000,,在带着它散步的时候
Dialogue: 0,0:11:23.92,0:11:27.80,*Default,NTP,0000,0000,0000,,她把对周围建筑物的观察理解应用在了作品的创作中
Dialogue: 0,0:11:30.08,0:11:34.73,*Default,NTP,0000,0000,0000,,生活的点滴正是她艺术灵感的源泉
Dialogue: 0,0:11:39.24,0:11:42.52,*Default,NTP,0000,0000,0000,,背景已经被分为墙壁和钢筋两部分
Dialogue: 0,0:11:49.18,0:11:52.37,*Default,NTP,0000,0000,0000,,接下来她将展示独特的上色技术
Dialogue: 0,0:11:54.13,0:11:58.65,*Default,NTP,0000,0000,0000,,接下来要处理的是作品的核心 新绿
Dialogue: 0,0:12:03.64,0:12:07.86,*Default,NTP,0000,0000,0000,,美丽的新绿 秘密在于画笔的设置
Dialogue: 0,0:12:08.94,0:12:11.70,*Default,NTP,0000,0000,0000,,她打开了画笔设置中的笔压感应选项
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:12:19.94,0:12:28.33,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(450,320)}{\fs18}压力感知 ON 强度10%
Dialogue: 0,0:12:19.48,0:12:23.49,*Default,NTP,0000,0000,0000,,接下来 将画笔的硬度设置为10%
Dialogue: 0,0:12:25.49,0:12:28.71,*Default,NTP,0000,0000,0000,,这样一来 就能实现浅色的各种变化
Dialogue: 0,0:12:28.76,0:12:31.77,*Default,NTP,0000,0000,0000,,从而创造出丰富的表情
Dialogue: 0,0:12:51.94,0:12:58.61,*Default,NTP,0000,0000,0000,,这次 让前方人物和建筑物区分开来
Dialogue: 0,0:12:58.71,0:13:02.46,*Default,NTP,0000,0000,0000,,特意要把背景的树弄成
Dialogue: 0,0:13:02.54,0:13:07.36,*Default,NTP,0000,0000,0000,,焦距未调好的照片那样 朦胧的效果
Dialogue: 0,0:13:08.97,0:13:12.76,*Default,NTP,0000,0000,0000,,浅色的重叠就是仓藤的独有渲染技巧
Dialogue: 0,0:13:12.53,0:13:18.60,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}渲染技巧
Dialogue: 0,0:13:13.99,0:13:16.12,*Default,NTP,0000,0000,0000,,伴随着颜色的变化
Dialogue: 0,0:13:16.20,0:13:18.64,*Default,NTP,0000,0000,0000,,新绿色逐渐有了深度
Dialogue: 0,0:13:28.48,0:13:32.13,*Default,NTP,0000,0000,0000,,凭着自己的感觉和经验
Dialogue: 0,0:13:32.46,0:13:34.69,*Default,NTP,0000,0000,0000,,像这样把这些颜色渐渐地加深
Dialogue: 0,0:13:35.03,0:13:40.59,*Default,NTP,0000,0000,0000,,下方的颜色就显得有透明感了
Dialogue: 0,0:13:44.32,0:13:45.85,*Default,NTP,0000,0000,0000,,白色的背景上
Dialogue: 0,0:13:45.89,0:13:49.27,*Default,NTP,0000,0000,0000,,出现了新绿色的耀眼阳光
Dialogue: 0,0:13:52.40,0:13:56.07,*Default,NTP,0000,0000,0000,,颜色的深浅塑造了光
Dialogue: 0,0:13:59.21,0:14:04.12,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}描画水
Dialogue: 0,0:13:59.10,0:14:04.16,*Default,NTP,0000,0000,0000,,接下来画的是这部作品最难的部分 水
Dialogue: 0,0:14:04.30,0:14:12.24,*Default,NTP,0000,0000,0000,,这次要塑造的是少女的脚下有水的情景
Dialogue: 0,0:14:15.91,0:14:18.52,*Default,NTP,0000,0000,0000,,因此要画脚在水中的形象
Dialogue: 0,0:14:19.91,0:14:24.93,*Default,NTP,0000,0000,0000,,先粗略把水的颜色涂上
Dialogue: 0,0:14:27.92,0:14:35.15,*Default,NTP,0000,0000,0000,,再涂抹上几种水的颜色
Dialogue: 0,0:14:41.60,0:14:46.21,*Default,NTP,0000,0000,0000,,之后 用这个叫做手指工具的东西
Dialogue: 0,0:14:46.63,0:14:51.44,*Default,NTP,0000,0000,0000,,把颜色渲染开 画成水的样子
Dialogue: 0,0:14:53.41,0:14:58.03,*Default,NTP,0000,0000,0000,,画师仓藤依然用手涂的方式进行绘制
Dialogue: 0,0:15:03.27,0:15:05.75,*Default,NTP,0000,0000,0000,,这其实是 怎么说呢
Dialogue: 0,0:15:05.80,0:15:08.13,*Default,NTP,0000,0000,0000,,其实是靠着自己感觉
Dialogue: 0,0:15:08.23,0:15:10.27,*Default,NTP,0000,0000,0000,,尽可能以自己对水的理解
Dialogue: 0,0:15:11.10,0:15:14.99,*Default,NTP,0000,0000,0000,,来增加颜色 用手指工具来渲染
Dialogue: 0,0:15:15.34,0:15:17.31,*Default,NTP,0000,0000,0000,,就这样反复进行
Dialogue: 0,0:15:17.93,0:15:28.68,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}模拟：与数码相对，指连续的物理量，这里指的是在纸上手绘
Dialogue: 0,0:15:18.05,0:15:20.48,*Default,NTP,0000,0000,0000,,其实用模拟的方法
Dialogue: 0,0:15:20.38,0:15:25.62,*Default,NTP,0000,0000,0000,,要实现这样反复渲染和颜色的覆盖
Dialogue: 0,0:15:27.18,0:15:29.28,*Default,NTP,0000,0000,0000,,果然是难以做到
Dialogue: 0,0:15:30.99,0:15:36.90,*Default,NTP,0000,0000,0000,,使用材质之类的数码工具也能表现水面的效果
Dialogue: 0,0:15:36.80,0:15:39.12,*Default,NTP,0000,0000,0000,,但是与手涂的效果显然还是有差别的
Dialogue: 0,0:15:42.00,0:15:47.79,*Default,NTP,0000,0000,0000,,为绘画而生的职业精神渐渐地让水面活了起来
Dialogue: 0,0:15:59.32,0:16:02.18,*Default,NTP,0000,0000,0000,,在对水面加了高光之后
Dialogue: 0,0:16:02.29,0:16:04.92,*Default,NTP,0000,0000,0000,,更具有了真实感
Dialogue: 0,0:16:06.96,0:16:11.44,*Default,NTP,0000,0000,0000,,背也与人物部分一样 保存为独立的文件
Dialogue: 0,0:16:07.24,0:16:11.85,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}涂阴影
Dialogue: 0,0:16:11.94,0:16:17.82,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}复制图层
Dialogue: 0,0:16:19.01,0:16:23.66,*Default,NTP,0000,0000,0000,,现在把人物的图层和背景的图层合在一起
Dialogue: 0,0:16:25.30,0:16:27.99,*Default,NTP,0000,0000,0000,,分别复制人物部分的各个图层
Dialogue: 0,0:16:31.20,0:16:36.46,*Default,NTP,0000,0000,0000,,但如果就这样简单复制 位置就会产生偏移
Dialogue: 0,0:16:44.18,0:16:45.67,*Default,NTP,0000,0000,0000,,为了避免产生这样的状况
Dialogue: 0,0:16:45.75,0:16:47.41,*Default,NTP,0000,0000,0000,,复制图层时
Comment: 0,0:00:00.00,0:00:00.00,Default,PopSub,0000,0000,0000,,// PopSub注释: 下一行已被修改 
Dialogue: 0,0:16:44.27,0:16:51.30,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(150,292)}{\fs18}Shift+拖动左键
Dialogue: 0,0:16:47.49,0:16:50.58,*Default,NTP,0000,0000,0000,,就要按住Shift并鼠标左键拖动到目标图像
Dialogue: 0,0:16:50.99,0:00:00.00,*Default,NTP,0000,0000,0000,,再松开鼠标
Dialogue: 0,0:16:50.84,0:16:55.69,*Default,NTP,0000,0000,0000,,这样仓藤复制图层时就不会发生偏移了
Dialogue: 0,0:17:02.35,0:17:04.88,*Default,NTP,0000,0000,0000,,开始涂阴影
Dialogue: 0,0:17:14.71,0:17:18.94,*Default,NTP,0000,0000,0000,,仓藤直接在各个图层上进行上色
Dialogue: 0,0:17:32.51,0:17:37.02,*Default,NTP,0000,0000,0000,,给细部的图层涂阴影和上高光并不容易
Dialogue: 0,0:17:41.16,0:17:46.72,*Default,NTP,0000,0000,0000,,仓藤已经事先为图层设置了锁定透明像素
Dialogue: 0,0:17:49.38,0:18:15.84,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(150,82)}{\fs18}什么是锁定透明像素？
Dialogue: 0,0:17:50.05,0:17:52.07,*Default,NTP,0000,0000,0000,,在未设置锁定之前
Dialogue: 0,0:17:52.20,0:17:55.32,*Default,NTP,0000,0000,0000,,可以对图层的透明部分进行编辑
Dialogue: 0,0:17:59.28,0:18:03.19,*Default,NTP,0000,0000,0000,,对填色的图层设置锁定之后
Dialogue: 0,0:18:05.50,0:18:08.26,*Default,NTP,0000,0000,0000,,这样透明色就会被保护起来
Dialogue: 0,0:18:08.40,0:18:11.12,*Default,NTP,0000,0000,0000,,填色就不会超出范围
Dialogue: 0,0:18:16.51,0:18:21.21,*Default,NTP,0000,0000,0000,,对纤细的缎带进行填涂就应用了这个技巧
Dialogue: 0,0:18:25.00,0:18:28.19,*Default,NTP,0000,0000,0000,,仓藤给原本是白色的连衣裙
Dialogue: 0,0:18:28.37,0:18:30.49,*Default,NTP,0000,0000,0000,,加上了水面波纹的效果
Dialogue: 0,0:18:30.59,0:18:33.84,*Default,NTP,0000,0000,0000,,绘制出阴影与立体感
Dialogue: 0,0:18:35.91,0:18:39.94,*Default,NTP,0000,0000,0000,,恩 接下来是涂皮肤色
Dialogue: 0,0:18:40.80,0:18:44.52,*Default,NTP,0000,0000,0000,,接下来是仓藤作品的生命所在——皮肤上色
Dialogue: 0,0:18:40.67,0:18:44.25,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}皮肤上色
Dialogue: 0,0:18:45.44,0:18:46.94,*Default,NTP,0000,0000,0000,,透明的皮肤
Dialogue: 0,0:18:47.06,0:18:50.50,*Default,NTP,0000,0000,0000,,其秘密在于精确的数值定位
Dialogue: 0,0:18:46.89,0:18:51.93,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}皮肤色以数值来确定
Dialogue: 0,0:18:51.41,0:18:54.58,*Default,NTP,0000,0000,0000,,平常制作用于印刷的东西很多
Dialogue: 0,0:18:54.72,0:18:57.01,*Default,NTP,0000,0000,0000,,总是用百分比确定
Dialogue: 0,0:18:57.08,0:18:58.87,*Default,NTP,0000,0000,0000,,像皮肤这样重要的地方
Dialogue: 0,0:18:58.91,0:19:03.69,*Default,NTP,0000,0000,0000,,我总是会选择用百分比来确定
Dialogue: 0,0:19:04.91,0:19:10.74,*Default,NTP,0000,0000,0000,,仓藤的皮肤色以红紫色(M)10%以及黄色(Y)15%为基准
Dialogue: 0,0:19:10.82,0:19:13.66,*Default,NTP,0000,0000,0000,,皮肤阴影色则以皮肤色的2倍为基准
Dialogue: 0,0:19:17.05,0:19:22.03,*Default,NTP,0000,0000,0000,,要精确地设置绘制皮肤的效果
Dialogue: 0,0:19:39.94,0:19:41.42,*Default,NTP,0000,0000,0000,,对平坦的脸部进行上色后
Dialogue: 0,0:19:41.50,0:19:44.25,*Default,NTP,0000,0000,0000,,脸部具有了立体感和透明感
Dialogue: 0,0:19:52.46,0:19:59.10,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}脸部的上色
Dialogue: 0,0:19:48.69,0:19:52.33,*Default,NTP,0000,0000,0000,,接下来是对脸部细节的处理
Dialogue: 0,0:19:59.84,0:20:02.97,*Default,NTP,0000,0000,0000,,眼睛与脸部位于同一个图层
Dialogue: 0,0:20:03.12,0:20:05.94,*Default,NTP,0000,0000,0000,,眼睛的上色有一个重要技巧
Dialogue: 0,0:20:06.63,0:20:10.72,*Default,NTP,0000,0000,0000,,将画笔的模式设置为“叠加”
Dialogue: 0,0:20:10.82,0:20:15.91,*Default,NTP,0000,0000,0000,,绘制半月形的瞳孔高光部分
Dialogue: 0,0:20:23.91,0:20:51.28,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(150,82)}{\fs18}什么是叠加模式？
Dialogue: 0,0:20:26.19,0:20:33.10,*Default,NTP,0000,0000,0000,,{\fad(800,0)}{\pos(150,320)}{\fs18}画笔工具  模式：正常
Dialogue: 0,0:20:42.10,0:20:51.34,*Default,NTP,0000,0000,0000,,{\fad(800,0)}{\pos(150,320)}{\fs18}画笔工具  模式：叠加
Dialogue: 0,0:20:42.10,0:20:51.34,*Default,NTP,0000,0000,0000,,{\fad(800,0)}{\pos(450,320)}{\fs18}画笔工具  模式：正常
Dialogue: 0,0:00:00.00,0:00:00.00,*Default,NTP,0000,0000,0000,,在正常模式下
Dialogue: 0,0:20:23.81,0:20:26.71,*Default,NTP,0000,0000,0000,,用白色像素填充下方颜色时
Dialogue: 0,0:20:26.79,0:20:30.19,*Default,NTP,0000,0000,0000,,下方颜色会被涂成白色
Dialogue: 0,0:20:33.48,0:20:37.49,*Default,NTP,0000,0000,0000,,现在将画笔的模式设为“叠加”
Dialogue: 0,0:20:41.22,0:20:45.61,*Default,NTP,0000,0000,0000,,这样白色就会与下方的颜色产生叠加
Dialogue: 0,0:20:45.68,0:20:49.17,*Default,NTP,0000,0000,0000,,能够表现明亮的颜色
Dialogue: 0,0:20:53.14,0:20:56.97,*Default,NTP,0000,0000,0000,,用这个功能给瞳孔上高光
Dialogue: 0,0:20:57.07,0:21:00.57,*Default,NTP,0000,0000,0000,,在这里我们看到了少女执着的神情
Dialogue: 0,0:21:02.55,0:21:07.53,*Default,NTP,0000,0000,0000,,与眼睛的上色相比 仓藤更重视嘴部的上色
Dialogue: 0,0:21:09.58,0:21:15.28,*Default,NTP,0000,0000,0000,,现在开始给嘴唇和口腔上色
Dialogue: 0,0:21:16.16,0:21:19.48,*Default,NTP,0000,0000,0000,,这个部分是特别重要的
Dialogue: 0,0:21:19.59,0:21:22.45,*Default,NTP,0000,0000,0000,,尤其是在画女孩子的时候
Dialogue: 0,0:21:22.97,0:21:26.25,*Default,NTP,0000,0000,0000,,与年龄和眼睛相比
Dialogue: 0,0:21:26.46,0:21:32.89,*Default,NTP,0000,0000,0000,,像嘴唇 嘴部和脸蛋
Dialogue: 0,0:21:33.19,0:21:40.62,*Default,NTP,0000,0000,0000,,这些部分是最能体现女性魅力的
Dialogue: 0,0:21:41.44,0:21:45.54,*Default,NTP,0000,0000,0000,,女性的特点是对细节的执着
Dialogue: 0,0:21:44.42,0:21:53.23,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(150,320)}{\fs18}画笔工具 直径：3px 硬度：10%
Dialogue: 0,0:21:49.44,0:21:53.23,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(450,320)}{\fs18}画笔工具 直径：1px 硬度：10%
Dialogue: 0,0:21:48.07,0:21:51.47,*Default,NTP,0000,0000,0000,,现在正在细致地给嘴唇上色
Dialogue: 0,0:21:56.19,0:21:58.75,*Default,NTP,0000,0000,0000,,从远处看的话还不清楚
Dialogue: 0,0:21:59.99,0:22:04.52,*Default,NTP,0000,0000,0000,,近看的话就会发现 嘴唇还是相当有魅力的
Dialogue: 0,0:22:06.27,0:22:09.02,*Default,NTP,0000,0000,0000,,少女的头发上反射着新绿的光芒
Dialogue: 0,0:22:09.34,0:22:11.55,*Default,NTP,0000,0000,0000,,好像天使的光环
Dialogue: 0,0:22:16.07,0:22:22.73,*Default,NTP,0000,0000,0000,,少女嘴部的每一处细节都被仔细地处理
Dialogue: 0,0:22:26.17,0:22:30.73,*Default,NTP,0000,0000,0000,,人物和背景的细部上色完成了
Dialogue: 0,0:22:33.81,0:22:36.63,*Default,NTP,0000,0000,0000,,作品马上接近完成了
Dialogue: 0,0:22:37.81,0:22:42.67,*Default,NTP,0000,0000,0000,,{\an8}{\fs18}最后阶段的处理
Dialogue: 0,0:22:41.75,0:22:48.47,*Default,NTP,0000,0000,0000,,对人物浸泡在水中的脚部实施滤镜处理
Dialogue: 0,0:22:50.07,0:22:53.69,*Default,NTP,0000,0000,0000,,
Dialogue: 0,0:22:49.95,0:22:53.74,*Default,NTP,0000,0000,0000,,用橡皮擦工具果断地擦除脚部浸泡在水中的线
Dialogue: 0,0:22:50.22,0:22:55.02,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(150,320)}{\fs18}橡皮工具
Dialogue: 0,0:22:56.87,0:23:00.31,*Default,NTP,0000,0000,0000,,{\fad(800,0)}{\pos(150,320)}{\fs18}模糊工具
Dialogue: 0,0:23:01.14,0:23:06.93,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(150,320)}{\fs18}手指工具
Dialogue: 0,0:23:01.34,0:23:06.57,*Default,NTP,0000,0000,0000,,接下来用手指工具涂抹 表现浸泡在水中的效果
Dialogue: 0,0:23:48.39,0:23:51.60,*Default,NTP,0000,0000,0000,,在这里反复进行着绘制和渲染
Dialogue: 0,0:24:14.90,0:24:16.91,*Default,NTP,0000,0000,0000,,对脚部进行模糊处理之后
Dialogue: 0,0:24:17.05,0:24:19.52,*Default,NTP,0000,0000,0000,,水具有了透明感
Dialogue: 0,0:24:25.04,0:24:27.15,*Default,NTP,0000,0000,0000,,最后工作是花瓣的绘制
Dialogue: 0,0:24:28.73,0:24:32.56,*Default,NTP,0000,0000,0000,,在整幅图像上绘制了华丽飘落的花瓣
Dialogue: 0,0:24:37.95,0:24:40.32,*Default,NTP,0000,0000,0000,,终于
Dialogue: 0,0:24:40.79,0:24:42.94,*Default,NTP,0000,0000,0000,,恩  这样就完成了
Dialogue: 0,0:24:45.46,0:24:47.10,*Default,NTP,0000,0000,0000,,完成
Dialogue: 0,0:24:49.24,0:24:51.52,*Default,NTP,0000,0000,0000,,总制作时间6小时
Dialogue: 0,0:24:50.11,0:24:56.65,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(500,276)}{\fs18}总制作时间     6小时
Dialogue: 0,0:24:50.11,0:24:56.65,*Default,NTP,0000,0000,0000,,{\fad(800,800)}{\pos(500,306)}{\fs18}上色               4小时
Dialogue: 0,0:24:51.85,0:24:57.50,*Default,NTP,0000,0000,0000,,画师仓藤专注于手涂的光之作品完成了
Dialogue: 0,0:25:01.87,0:25:06.43,*Default,NTP,0000,0000,0000,,《我的秘密花园》 仓藤幸绘
Dialogue: 0,0:25:11.10,0:25:13.41,*Default,NTP,0000,0000,0000,,瞒着严厉的父亲
Dialogue: 0,0:25:13.67,0:25:16.34,*Default,NTP,0000,0000,0000,,少女在森林中欢乐嬉戏
Dialogue: 0,0:25:27.75,0:25:30.56,*Default,NTP,0000,0000,0000,,充满积水的昏暗城市废墟
Dialogue: 0,0:25:30.63,0:25:36.34,*Default,NTP,0000,0000,0000,,对充满好奇心的少女来说 也是一处秘密的游玩场所
Dialogue: 0,0:25:41.30,0:25:42.91,*Default,NTP,0000,0000,0000,,自由的愉悦心情
Dialogue: 0,0:25:42.98,0:25:44.61,*Default,NTP,0000,0000,0000,,和透明的肌肤
Dialogue: 0,0:25:44.69,0:25:49.03,*Default,NTP,0000,0000,0000,,都被染上了一层淡淡的粉红色
Dialogue: 0,0:25:52.80,0:25:56.07,*Default,NTP,0000,0000,0000,,在新绿的光照下，在清新的负离子沐浴中
Dialogue: 0,0:25:56.36,0:26:00.63,*Default,NTP,0000,0000,0000,,在心中荡漾着的是 等待了许久的解放感
Dialogue: 0,0:26:07.21,0:26:14.90,*Default,NTP,0000,0000,0000,,光的魔术师仓藤倾力打造的图画 逆光公主
Dialogue: 0,0:26:30.15,0:26:34.01,*Default,NTP,0000,0000,0000,,数码绘有多种技法
Dialogue: 0,0:26:34.35,0:26:39.25,*Default,NTP,0000,0000,0000,,其中凝结着画师们的灵感和匠心独运
Dialogue: 0,0:26:41.31,0:26:45.91,*Default,NTP,0000,0000,0000,,数码绘的画师们创造了超乎想象的幻想乡
Dialogue: 0,0:26:46.26,0:26:51.71,*Default,NTP,0000,0000,0000,,画师们将以独特的技法开创出新的数码绘道路
Dialogue: 0,0:00:29.46,0:00:32.75,1,NTP,0000,0000,0000,,{\fad(800,300)}数码绘的文法
Dialogue: 0,0:00:29.46,0:00:32.75,LOGO1,NTP,0000,0000,0000,,{\fad(800,300)\pos(332,65)}■■■■■■
Dialogue: 0,0:00:29.46,0:00:32.75,LOGO,NTP,0000,0000,0000,,{\fad(800,300)\pos(330,13)}3 D H S U B
Dialogue: 0,0:00:01.74,0:00:05.90,STAFF,NTP,0000,0000,0000,,{\fad(800,800)\pos(490,265）}翻 译   mike2718
Dialogue: 0,0:00:01.74,0:00:05.90,STAFF,NTP,0000,0000,0000,,{\fad(800,800)\pos(502,305）}校 对   mike2718
Dialogue: 0,0:00:06.44,0:00:09.74,STAFF,NTP,0000,0000,0000,,{\fad(800,800)\pos(502,305）}时 间   アヤ魂の熏
Dialogue: 0,0:00:06.44,0:00:09.74,STAFF,NTP,0000,0000,0000,,{\fad(800,800)\pos(490,265）}后 期   アヤ魂の熏
Dialogue: 0,0:01:50.22,0:02:16.05,move,NTP,0000,0000,0000,Banner;11;0;110,{\move(1800,20,-1300,20)}郑重声明:本作品之片源、字幕均来自互联网，版权归原电影公司所有！任何组织和个人不得公开传播或用于任何商业盈利用途，否则一切后果由该组织或个人承担！本站和制作者不承担任何法律及连带责任！请自觉于下载后24小时内删除。如果喜欢本片，请购买正版！